Auditory and spontaneous movement responses to music over first postnatal year
Evolution of Neural and Motor Responses to Music in the First Year of Life
📄 Publication Metadata
| Attribute | Detail |
|---|---|
| Journal | eLife |
| Date | July 7, 2026 |
| DOI | 10.7554/eLife.107088.4 |
| Authors | Trinh Nguyen, Félix Bigand, Susanne Reisner, Atesh Koul, Roberta Bianco, Gabriela Markova, Stefanie Hoehl, Giacomo Novembre |
| Affiliations | Italian Institute of Technology; University of Vienna; Heidelberg University; University of Pisa; Paracelsus Medical University |
eLife Assessment: This rigorously designed study provides critical insights into how infants process music, utilizing
EEGneural data and video-based movement tracking. The evidence is compelling, showing that while auditory responses develop between 3 and 12 months, coordinated movement to music is not yet present in these age groups. This work is of high value to neuroscientists and developmental psychologists.
📝 Abstract
While the human capacity to recognize and move to music is a cross-cultural universal, the specific timeline of how infants transition from hearing music to physically responding to it remains largely unknown. This research investigated the simultaneous neural and kinematic responses of infants during their first postnatal year.
By analyzing 79 infants (divided into groups of 3, 6, and 12 months), the team used EEG and markerless pose estimation to observe reactions to:
- Standard children's music refrains.
- Shuffled versions of those songs.
- High-pitched variations.
- Low-pitched variations.
Key Discoveries:
- Neural: All age groups showed a stronger auditory response to structured music than to shuffled audio, suggesting early-onset music encoding.
- Motor: While basic auditory-motor coupling exists early on, complex movement patterns only appear by 12 months.
- Coordination:
No age groupdemonstrated true coordinated movement (synchronization) to the music. - Pitch: High-pitched music was a better predictor of movement across all ages, though the neural preference for high pitch was only significant at 6 months.
🔍 The "eLife Digest" Perspective
Most humans instinctively dance or sway to music. This study asks: When does the brain first start this process?
Infants can detect rhythmic and melodic patterns early on. Researchers used EEG to capture the electrical brain signals triggered by these sounds. Simultaneously, they tracked how babies move their bodies. The goal was to see if the ability to recognize music and the ability to move to it develop in tandem.
🎯 Research Objectives
- Determine when neural responses to music emerge.
- Track the development of spontaneous movement complexity.
- Analyze the influence of pitch (high vs. low) on brain and body.
- Identify the onset of coordinated motor responses.
🛠️ Methodology & Workflow
The study followed a structured pipeline to ensure data integrity across the three age cohorts.
📊 Results Summary
The relationship between the auditory stimulus () and the motor response () can be viewed as a developing function of age ():
| Age Group | Neural Response (Music vs. Shuffled) | Movement Complexity | Pitch Sensitivity (Neural) | Pitch Sensitivity (Motor) |
|---|---|---|---|---|
| 3 Months | Enhanced | Coarse/Basic | Low | High |
| 6 Months | Enhanced | Coarse/Basic | High | High |
| 12 Months | Enhanced | Structured | Low | High |
💡 Discussion & Implications
The findings suggest a gradual maturation process. The brain's ability to encode music is present very early, but the "translation" of that perception into physical action is a slower process.
Key Nuances:
- The Pitch Paradox: While the brain only showed a specific preference for high pitch at 6 months, the body responded more vigorously to high pitch across the entire first year.
- The Coordination Gap: Despite the increase in movement complexity by month 12, the infants were not yet "dancing" in a coordinated, beat-matched sense.
Visual Evidence
The study utilized several figures to illustrate these points:
- Fig 1 & 2: Setup and neural response distributions.
- Fig 3 & 4: Kinematic analysis and pose estimation results.
- Fig 5 & 6: Comparison of pitch effects and age-related movement growth.
(Images referenced: fig1-v1.tif through fig6-v1.tif)
🏁 Conclusion
This research provides a foundational map of how the developing human brain transforms auditory musical patterns into spontaneous physical movements, highlighting a clear trajectory from simple auditory encoding to increasingly complex (though not yet coordinated) motor outputs.